concept

A putto with an arrow in his heart is asking a putto who is holding a urine flask for help; comparing love to medical treatment of a wound. Engraving, 16--.

Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.

Emblem representing the path to the philosopher's stone in alchemy. Etching by Defehrt, 1768, after L.-J. Goussier, after the frontispiece to a 17th century book by Libavius.

The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.

Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.

A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.

Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.

The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.

A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.

Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.

A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

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The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.

Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.

A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.

Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.