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  • A young man blowing a bellows, while an alchemist, chemist or goldsmith watches through spectacles. Engraving by C. Guttenberg after F. van Mieris.
  • A young woman, perhaps Prudentia, warns an alchemist of the dangers of abusing fire: in the background fires rage in buildings and mines. Oil painting after Marten de Vos.
  • Chemistry: a large vessel for distillation, on a furnace. Woodcut after M. Augusti.
  • A surgeon applying a cautery iron to clearly defined points on a woman's lower abdomen (indicating spleen?). Pen drawing after a tenth century manuscript.
  • Chemistry: various vessels for distillation. Engraving by Prevost after L.J. Goussier.
  • King Charles the Bad of Navarre being burnt to death in bed, while others pray and panic about him. Engraving.
  • Three-tiered symbolic diagram of the art of alchemy: top level, symbols of the states of matter; middle level, cabalistic diagrams; lower level, the two techniques of alchemy: distillation and calcination. Engraving by R. Custos, 1616.
  • Vulcan in his forge with Jupiter throwing bolts of lightning, Venus in the sky above, symbolising the element fire. Etching by F. Bartolozzi, 1796, after F. Albani.
  • Residents of Ephesus burn their books on the magic arts before Saint Paul. Engraving, 18th century, after J. Thornhill.
  • A coal porter, an alchemist and a rich man who hopes vainly to profit from alchemy. Etching, 18th century.
  • Vulcan at his forge; representing fire. Engraving by E. Jeaurat, 1716, after N. Vleughels.
  • A conjurer casting spells with his wand and fire surrounded by a kneeling man and demons within the magic circle. Engraving by J. Brown after W.M. Craig, 1813.
  • Lot's wife looks back at the flames pouring from Heaven upon Sodom; Lot and his daughters go on ahead. Engraving by R. Sadeler after M. de Vos, 1583.
  • A young alchemist works a bellows at his furnace. Etching by T. Major, 1755, after D. Teniers the younger.
  • The martyrdom of Saint Agnes: she is stabbed, and an angel receives the martyr's palm from Christ for bestowal upon her. Drawing by F. Rosaspina, c. 1830, after D. Zampieri, il Domenichino.
  • An episode in Tristram Shandy: Dr. Slop with his wig on fire angrily gesticulating to Susannah who holds her nose near the wounded baby Tristram Shandy. Coloured etching after H.W. Bunbury after L. Sterne.
  • An episode in Tristram Shandy: Dr. Slop with his wig on fire angrily gesticulating to Susannah who holds her nose near the wounded baby Tristram Shandy. Etching by J. Bretherton, 1773, after H.W. Bunbury after L. Sterne.
  • An alchemist at his furnace, hunched over bellows. Colour etching by W. Baillie, 1792, after D. Teniers the younger.
  • Rivers running in the wilderness, with serpents and fire between them; representing the stage of 'multiplication' in the alchemical process. Coloured etching after etching, ca. 17th century.
  • The heavens open on the day of judgement; Christ appears above the coast of the Netherlands. Engraving, 16th century.
  • The sacrifice of the son of King Moab. Engraving by H.R. Cook after P.P. Rubens.
  • An alchemist stoking a furnace in a dimly lit room, as daylight shines through a window. Engraving by P-F. Basan after T. Wyck.
  • The rescue of the young John Wesley from the burning parsonage at Epworth, Lincolnshire. Mezzotint by S.W. Reynolds after H.P. Parker.
  • Imperato's asbestos experiments. Woodcut, 1599.
  • Three men drinking in the light of a flame held by a boy. Aquatint by A. Bissell, c. 1800, after J. Trautmann.
  • A glowing yellow and red fire and with figures tumbling into a pit as though hell in the foreground; an advertisement for a torchlight march entitled 'Fire and Tears' for World AIDS Day on 1 December 95 in the pedestrian area Mont-Blanc, Geneva sponsored by Groupe SIDA Genève, PVA Genève, Dialogai and AIDES Annemasse. Colour lithograph.
  • An alchemist with his assistants in his laboratory. Engraving by F.B. Lorieux and P. Michon after D. Teniers the younger, 1640/1650.
  • Physics: scientific equipment. Coloured engraving by J. Emslie, 1850, after himself.
  • Peter denies knowledge of Christ. Engraving by A. Pauwels after G. Seghers.
  • A receptacle for burning coal to heat cautery instruments. Engraving.