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333 results filtered with: Lavater, Johann Caspar, 1741-1801
  • L'art de connaître les hommes par la physionomie ... / par M. Moreau.
  • Grau: portrait. Drawing, c. 1794.
  • Progression of a man through the ages of fifty to a hundred. Drawing, c. 1794.
  • A man whose physiognomy expresses penetration, quickness, and a talent for communication. Drawing, c. 1789.
  • The head of a frog, in the early stages of a physiognomic metamorphosis into an ideal head of Apollo. Coloured drawing by J.C. Lavater, 179-.
  • Twelve stages in the sequence from the head of a frog to the head of a primitive man. Coloured etchings by Christian von Mechel after J.C. Lavater, 1797.
  • Skulls of twenty-one animals. Drawing, c. 1789.
  • An eye; according to Lavater, belonging to a German poet. Drawing, c. 1794.
  • L'art de connaître les hommes par la physionomie ... / par M. Moreau.
  • Progression of a man through the ages of infancy to the age of fifty. Engraving, c. 1794.
  • Balthazar Bekker: portrait. Drawing, c. 1794.
  • Outlines and designs of foreheads, showing their wrinkles and contours. Drawing, c. 1794.
  • Tiberius Dominikus Wocher: portrait. Drawing, c. 1791, after T.D. Wocher.
  • Head of an angel. Drawing, c. 1791, after G. Reni.
  • Heads of a fox, a wolf and a weasel. Drawing, c. 1789.
  • John Dryden: portrait. Drawing, c. 1793.
  • Profile of a boy which, according to Lavater, exemplifies Raphael's approach to noses and chins in profile. Drawing, c. 1791, after Raphael.
  • L'art de connaître les hommes par la physionomie ... / par M. Moreau.
  • Nine noses. Drawing, c. 1794.
  • Henri of Navarre, King of France shown in four imaginary poses. Drawing, c. 1789.
  • Head of a man with tousled hair. Drawing, c. 1794, after N. Poussin.
  • The head of an ostrich. Drawing, c. 1789.
  • John Locke: frontal view of bust. Drawing, c. 1789, after D.N. Chodowiecki.
  • Head of a dog. Drawing, c. 1789.
  • An 'ideal head' shown to have slight idiosyncrasies in physiognomy. Drawing, c. 1789, after Raphael.
  • A married couple who have begun physically to resemble each other. Drawing, c. 1794.
  • Profile of a boy which, according to Lavater, exemplifies Raphael's approach to noses and chins in profile. Drawing, c. 1791, after Raphael.
  • Eyes of Cupid. Drawing by T. Holloway, ca. 1794, after A.R. Mengs.
  • Four eyes. Drawing, c. 1794.
  • A man whose physiognomy reveals a "sage, honorable, sprightly, judicious, profound, pious" character. Drawing, c. 1794.