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  • In the Garden of Eden, while the serpent curls around the tree of knowledge, Eve is about to taste the apple. Coloured etching, 17--.
  • The serpent entwines itself around the body of Eve; it whispers in her ear, enticing her to eat the forbidden fruit. Photogravure by Lemercier and co. after Walter Crane, 1899.
  • A couple in animal skins (Adam and Eve?) journeying with three children after the expulsion. Coloured stipple engraving.
  • Adam and Eve are driven from Eden by an angel. Etching by J.E. Ridinger after himself, c. 1750.
  • Adam and Eve with the serpent and other animals in the garden of Eden. Engraving by C.J. Visscher after N. de Bruyn.
  • God looks on unimpressed as Adam blames Eve for the transgression. Engraving by P.I. Drevet, c. 1720, after N. Coypel.
  • The serpent passes the fruit to Eve while Adam holds onto a branch. Line engraving after A. Durer.
  • A woman plays music to a stag; God condemns Adam and Eve to exile; representing the sense of hearing. Engraving by N. de Bruyn after M. de Vos.
  • Eve shows Adam the apple she has bitten. Etching by W. Unger after J. Palma the elder.
  • Eve receives the forbidden fruit from a serpent in the shape of a woman; the angel expels Adam and Eve from paradise. Engraving by A. Capellan, 1772, after Michelangelo.
  • Adam and Eve conceal their nakedness; in the distance they receive clothes from God. Line engraving by J. Haeyler after C. van den Broeck.
  • Adam and Eve committing the primal sin; representing the origin of AIDS. Colour lithograph after Pavel Beneš, 1991.
  • The knowledge of good and evil, and the consequences of that knowledge, with Adam and Eve and the serpent. Engraving by J. Sadeler, 1583, after M. de Vos.
  • Adam and Eve holding fruit: Four figures. Heliogravure by C. Amand-Durand.
  • A female figure with bowls of fruit and a monkey; Eve picks the apple from the tree of knowledge; representing the sense of taste. Engraving by N. de Bruyn after M. de Vos.
  • A tortoise climbs up a female figure as she reaches out to a bird; in the background Adam and Eve are chased from Eden by the archangel Michael with his sword; representing the sense of touch. Engraving by N. de Bruyn after M. de Vos.
  • A woman looking into a hand-mirror; in the background God shows Adam and Eve the tree of knowledge. Engraving by N. de Bruyn after M. de Vos.
  • Adam and Eve are condemned to a life of work outside Eden. Etching by J.E. Ridinger.
  • The Fall: Adam and Eve driven out by the Angel for eating the forbidden fruit. Etching by C. Lasinio after Masaccio and Masolino.
  • A woman-serpent bends around the Tree of Knowledge as Adam and Eve reach into the branches. Line engraving by T. de Bry after J. van Winghe.
  • The temptation of Adam. Lithograph by N. Consoni after Raphael.
  • Adam and Eve are expelled from Eden by a sword-bearing angel. Woodcut.
  • Adam and Eve expelled from Eden by an angel with a flaming sword. Line engraving by R. Sadeler after M. de Vos, 1583.
  • Adam and Eve cover their nakedness as God makes his wrath felt in the Garden of Eden. Etching by J.E. Ridinger after himself, c. 1750.
  • Adam and Eve humbly pray to a stern God. Line engraving.
  • The animals look on as the angel expels Adam and Eve from paradise. Engraving by C.J. Visscher.
  • The knowledge of good and evil, and the consequences of that knowledge, with Adam and Eve and the serpent. Engraving by J. Sadeler, 1583, after M. de Vos.
  • God creates Eve; she tempts Adam. Engraving by Scotin, c. 1765.
  • The fall; expelled from Eden, Adam and Eve raise a family and set to work. Engraving by Scotin, c. 1765.
  • In the Garden of Eden, Eve offers Adam the apple. Line engraving by C. Galle after G.B. Paggi.