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  • Samson carries the gates of Gaza out of the city. Woodcut.
  • Delilah caresses the sleeping Samson as she sets her barber to work. Engraving by J.B. de Poilly after F. Verdier, 1698.
  • The head of Hercules. Drawing, c. 1792.
  • Five tombs containing skeletons of historical exemplars of wisdom, war, beauty, strength and riches; an allegory of change, decay and death. Engraving after A.P. van de Venne, ca. 1655.
  • Baby Krishna tied to a mortar which is caught in between two trees resulting in their uprooting, surrounded by a decorative border. Wood engraving (?).
  • The young Samson excels on the battlefield. Etching by J.B. de Poilly after F. Verdier, 1698.
  • Strength, and how to obtain it / by Eugen Sandow ; with anatomical chart, illustrating the exercises for physical development ; illustrated with several full page portraits of the author.
  • Samson releases himself from his bonds; Delilah and the Philistines are astonished. Etching by B. Audran after F. Verdier, 1698.
  • Head of a man endowed, according to Lavater, with the capacity for profound thought. Drawing, c. 1792.
  • Samson carries the gates of Gaza up to the mount of Hebron. Etching by J. Taylor after F. Verdier, 1698.
  • As Samson breaks his bonds, Delilah pulls back the curtain to reveal her soldiers. Engraving after J.F. Rigaud.
  • Samson stands over vanquished Philistines, a lion's pelt over his shoulders and his ass's jaw at his feet. Autotype after F.J. Shields, 1877.
  • A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
  • Delilah cuts the sleeping Samson's hair, smiling at the Philistine soldiers waiting in the shadows. Engraving.
  • A fettered Samson sits blind and distraught in a gloomy clearing. Stipple engraving by T. Kirk after R. Westall.
  • The nocturnal adoration of the shepherds. Mezzotint by E. Kirkall, 1724, after P. Buonaccorsi.
  • A bust of Hercules: profile. Drawing, c. 1792.
  • Samson, victorious over the combined powers of the Philistines, holds the jaw of the ass up high. Engraving by G. Tomba after F. Rosaspina after G. Reni.
  • Jacob's ladder; Moses' exhausting prayer; Elijah addressing God at a sacrifice. Mezzotint by G. Sanders, 1845, after E. Taylor.
  • The shorn Samson is rebuffed by Delilah. Engraving by C. Simonneau after F. Verdier, 1698.
  • Samson brings the house down upon himself and the Philistines. Engraving by B. Audran after F. Verdier, 1698.
  • Samson, victorious over the combined powers of the Philistines, holds the jaw of the ass up high. Drawing by F. Rosaspina, c. 1830, after G. Reni.
  • Samson kills the lion with his bare hands. Etching by J.B. de Poilly after F. Verdier, 1698.