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  • A man cuts his finger with a knife; representing the sense of touch. Pen drawing by A. Overlaet, 1761, after D. Teniers.
  • A man applying a plaster to his hand outside in a rural setting; representing the sense of touch. Etching by J.P. Le Bas, 1736, after D. Teniers the younger.
  • The face of a man expressing simple bodily pain. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • A tooth-drawer extracting a tooth from an agonized patient. Lithograph by A. Bayot.
  • One of two scenes from the Naya-nayika set of lovers' quarrels. Chromolithograph.
  • The cross bearing Christ is hoisted up before a multitude of lamenters and soldiers. Engraving by N-H. Tardieu after B. Audran after C. le Brun.
  • An itinerant medicine vendor and tooth-drawer with his company, performing operations and offering medicines for sale from a waggon to a crowd of people in Rome. Wood engraving, 1872.
  • A dentist looking in horror at the size of the tooth he has just extracted from his grimacing patient. Coloured aquatint.
  • A tooth-drawer using a cord to extract a tooth from an agonized patient, in a pharmacy. Pen drawing.
  • A dentist encounters a large, violent patient. Reproduction of a drawing by A. Wallis Mills, 1920.
  • A parody astrological diagram showing opposing aspects of the life of settlers in Jamaica: langorous noons and the hells of yellow fever. Coloured aquatint after A.James, 1800.
  • M.F. du Chêne miraculously cured from a variety of ailments (dropsy, hemorrhaging, aches, and a disease of the lung) all interelated (?), at the tomb of F. de Paris. Engraving.
  • A tooth-drawer using pincers to extract a tooth from an old woman, her husband agonizingly observes the situation. Pen drawing after J. Collier, 1773.
  • M.F. du Chêne miraculously cured from a variety of ailments (dropsy, hemorrhaging, aches and a disease of the lung) all inter-related (?), at the tomb of F. de Paris. Engraving.
  • Serbo-Bulgarian War: wounded Russian soldiers begging ambulance men to be taken away from the battlefield. Wood engraving.
  • The story of a man with toothache, his attempts at self help and the final resort visiting the dental surgeon: twenty-four vignettes. Coloured wood engraving by W. Busch, 1862.
  • A tooth-drawer frightening his patient with a hot coal in order to be able to extract a tooth more easily. Etching by J. Collier after himself, 1773.
  • A malicious itinerant surgeon extracting stones from a grimacing patient's head; symbolising the extraction of 'folly' (insanity). Engraving after D. Teniers.
  • A surgeon amputating a grimacing patient's leg who is being held in a particular position by two attendants, the operation is near completion. Engraving, 1738.
  • A street tooth-drawer on his stall extracting a tooth from a patient. Wood engraving after C. Fripp (?).
  • An African dentist performing an operation on a patient that he is restraining with a wooden stick. Wood engraving by MD.
  • An itinerant surgeon extracting stones from a grimacing patient; symbolising the expulsion of 'folly' (insanity). Engraving.
  • An itinerant surgeon extracting stones from a man's head; symbolising the expulsion of 'folly' (insanity), they are surrounded by a group of people. Pencil drawing by P. Quast, 1645.
  • A surgeon removing a plaster from the back of a man's hand. Oil painting after (?) Egbert van Heemskerck.
  • A dentist extracting a tooth from a fashionable female patient who is surrounded by young men. Coloured etching, 1806.
  • The mocking and flagellation of Christ. Line engraving by G. Sadeler after J. Palma the elder.
  • A sculpture of a man with toothache. Wood engraving after Mr. Anderson.
  • A German military dentist pulls a tooth from an agonised soldier. Reproduction of a lithograph by J. Braakensiek, 1892.
  • A tooth-drawer using pincers to extract a tooth from an old woman, her husband agonizingly observes the situation. Etching by J. Collier after himself, 1773.
  • A tooth-drawer in his establishment feeling the tooth of a bemused female patient, his assistant holds the pincers in readiness for extraction. Coloured etching by T. Rowlandson, 1823.