Search

Pictures
Online
The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26679i
Part of: XL Emblemata miscella nova
Pictures
Online
Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26658i
Part of: XL Emblemata miscella nova
Pictures
Online
A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26702i
Part of: XL Emblemata miscella nova
Books
Scriptorum ecclesiasticorum historia literaria, a Christo nato usque ad sæculum XIV. facili methodo digesta ... / autore Guilielmo Cave. Accedunt scriptores gentiles, Christianae religionis appugnatores.
Cave, William, 1637-1713.Date: 1740-1743
Pictures
Online
Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26697i
Part of: XL Emblemata miscella nova
Pictures
Online
Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26660i
Part of: XL Emblemata miscella nova
Pictures
Online
Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26694i
Part of: XL Emblemata miscella nova
Pictures
Online
The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26678i
Part of: XL Emblemata miscella nova
Pictures
Online
The prophet Elias fed by a raven; representing providence. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26705i
Part of: XL Emblemata miscella nova
Pictures
Servants taking food to their master; illustrating a scene in Murer's play 'Edessa'. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26706i
Part of: XL Emblemata miscella nova
Pictures
Online
Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26699i
Part of: XL Emblemata miscella nova
Pictures
Online
Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26696i
Part of: XL Emblemata miscella nova
Pictures
Online
An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 35236i
Part of: XL Emblemata miscella nova
Pictures
Online
A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26701i
Part of: XL Emblemata miscella nova
Pictures
Online
A fox talking to a chicken; representing a fable by Aesop on false friendship. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26704i
Part of: XL Emblemata miscella nova
Pictures
Online
A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26698i
Part of: XL Emblemata miscella nova
Pictures
Online
Truth represented as the word of God assailed by persecution, superstition, tradition, betrayal and violence. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26703i
Part of: XL Emblemata miscella nova
Pictures
Online
A stork impales a frog in a peaceful scene by a river; allegory of freedom. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26695i
Part of: XL Emblemata miscella nova
Pictures
Online
A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.
Murer, Christoph, 1558-1614.Date: 1622Reference: 26700i
Part of: XL Emblemata miscella nova

Works search

Active filters:

The Roman emperor Valens pours money into a coffer; an officer is arrested and led to prison. Etching by C. Murer after himself, c. 1600-1614.

Two men walking above a city; representing harmony of religious or political states. Etching by C. Murer after himself, c. 1600-1614.

A dog resting on a bull's straw; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

Scriptorum ecclesiasticorum historia literaria, a Christo nato usque ad sæculum XIV. facili methodo digesta ... / autore Guilielmo Cave. Accedunt scriptores gentiles, Christianae religionis appugnatores.

Innocence attacked from four corners by "Iudex", "Persequutiō", "Avaritia" and "Invidia"; Justice looks down from above. Etching by C. Murer after himself, c. 1600-1614.

Men worship an ass bearing a religious image; alluding to both Aesop's fable of the ass and idol worship in Arianism and contemporary Catholicism. Etching by C. Murer after himself, c. 1600-1614.

Allegorical figures hold up two scrolls, separated by a spider's web: one shows a straight line between "Charitas" and "Iustitia"; the other a crooked line between "Invidia" and "Avaritia". Etching by C. Murer after himself, c. 1600-1614.

The soul being refined like metal in a crucible by an angel, Satan, Venus and Death; representing a test of faith. Etching by C. Murer, ca. 1600-1614.

The prophet Elias fed by a raven; representing providence. Etching by C. Murer after himself, c. 1600-1614.

Servants taking food to their master; illustrating a scene in Murer's play 'Edessa'. Etching by C. Murer after himself, c. 1600-1614.

Birds attacking an owl resting upon a staff held by a naked woman; representing patience. Etching by C. Murer after himself, c. 1600-1614.

Feast scene representing hospitality; alluding to Abraham and the three angels. Etching by C. Murer after himself, c. 1600-1614.

An alchemist stoking a furnace, surrounded by well dressed onlookers: a banquet takes place in the background. Etching by C. Murer, ca. 1600-1614.

A man scatters seeds; representing the Biblical parable of the sower; here referring to the "ministry of the word", preaching. Etching by C. Murer after himself, c. 1600-1614.

A fox talking to a chicken; representing a fable by Aesop on false friendship. Etching by C. Murer after himself, c. 1600-1614.

A mouse nibbles through a net in which a lion is caught; illustrating Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.

Truth represented as the word of God assailed by persecution, superstition, tradition, betrayal and violence. Etching by C. Murer after himself, c. 1600-1614.

A stork impales a frog in a peaceful scene by a river; allegory of freedom. Etching by C. Murer after himself, c. 1600-1614.

A bear overturns a barrel and is stung by bees; representing Aesop's fable. Etching by C. Murer after himself, c. 1600-1614.