concept

Gualfardo of Verona (Wolfhard of Augsburg) kneeling in front of an angel. Engraving, 17--.

A horse (top) showing all the fashionable tack, and details of the locking mechanism for the tack (below). Engraving, c.1762, by R. Benard after L.J. Goussier.

Barclay and Perkins brewery, Southwark: horses and workers in the stables. Wood-engraving, 1847.

Saddles: three types. Engraving, c.1762, by Benard after Lucotte.

Ambroise Paré, removing the head of a spear from the face of the Duc de Guise. Wood engraving by J. Ansseau after E. Morin.

A saddler making saddles and girths for horses; saddles and bridles are displayed in the workshop. Woodcut by J. Amman.

Saddles: three different types. Engraving, c.1762, by Benard after Lucotte.

Left, a variety of saddles, harnesses and grooming equipment; right, a variety of headgears, bridles, snaffles and clasps. Engraving by G. Dheulland.

Interior of a posada with men smoking and playing cards as others and a mule rest nearby. Coloured lithograph after J. F. Lewis, 1836.

A saddler's and coach-builder's establishment, in a cobbled mews in Paris (?). Engraving, c.1762, by Benard after Lucotte.

A saddle, especially made for ladies to ride side-saddle. Engraving.

A manual of saddles and collars, sore backs and sore shoulders / by F. Smith.

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A saddle, especially made for ladies to ride side-saddle. Engraving.

Saddles: three different types. Engraving, c.1762, by Benard after Lucotte.

A manual of saddles and collars, sore backs and sore shoulders / by F. Smith.

Saddles: three types. Engraving, c.1762, by Benard after Lucotte.

Barclay and Perkins brewery, Southwark: horses and workers in the stables. Wood-engraving, 1847.